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Richard Quinn and Epson do décor at Port Eliot

Richard Quinn and Epson do décor at Port Eliot

“Dress to protest’ session with Professor David Serlin and Vogue critic Sarah Mower on the Richard Quinn designed stage, all printed using Epson inkjet

Summer is festival season in the UK and the recent Port Eliot Festival in Cornwall celebrated words, music, fashion, nature and food.

One of the stages at the event was the ‘The Wardrobe Department’, which hosted interviews with new young creative talent and design legends on a set totally designed, and much of it personally produced, by award-winning fashion designer Richard Quinn using Epson digital print technology.

 

Fashion legend Zandra Rhodes

A fan of Epson digital printers, Richard Quinn printed the Mylar metallic wall coverings and Premier Textiles furniture fabric himself on his dye-sublimation Epson SureColor SC-F9200 in his new Richard Quinn Studio. Forming the stage centrepiece, the unique sofa and armchair were upholstered by department store John Lewis, in association with furniture manufacturer Parker Knoll, while the matching stage floor tiles were printed by Slam Signs on Spandex non-slip vinyl on a SureColor SC-SC80600 printer. Andrew Tomlinson, installed all the elements on-site, creating a stunning flower-powered set,

During the festival Sarah Mower, British Fashion Council Ambassador for Emerging Talent and Chief Critic for Vogue.com, interviewed Richard on the stage about his new collection launch at London Fashion Week later this year and his new print studio in London. This creative space allows Richard to not only develop and produce his own collections, but also provide a print service, run workshops, and enable young designers to use the equipment themselves if they wish.

 

Milliner Stephen Jones interviews by journalist Alexander fury

Richard Quinn on the set he designed and printed

He said: “Being invited to create a unique, one off set for the festival was such an exciting prospect. Although initially daunting, because I had to create so many appropriate surfaces and textiles for the set, the Epson technology, its ease of use and multiple available substrates made the task straight forward, cost effective and achievable in a short time frame. My design and print is all about the colour vibrancy and the Epson technology enabled me to achieve the desired Pantones with ease across all the substrates. The SureColor SC-F9200 has been so efficient for our fashion line and this was the first time exploring upholstery fabrics – a great success! The Epson option for a four pass plus 30 ensured the thicker pile fabrics are as vibrant as the others, making the Parker Knoll furniture really pop!”

“It’s very exciting to see how Richard is exploring the considerable flexibility of digital print to take his designs onto a wide variety of substrates,” observed Richard Barrow, Senior Product Manager, Epson Europe. “He is leading the vanguard of new young designers who are taking advantage of the considerable power of digital to create new opportunities and businesses.”

For further information on Richard Quinn London, visit: https://www.richardquinn.london/

For further information on Epson printers, inks and media, visit: http://www.epson.eu

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